k-on ajoute beaucoup de contenu original https://www.reddit.com/r/anime/comments/5lh3ty/kon_series_spoilers_so_we_all_know_kyoani_went/
On doit principalement l'animé à deux femmes Naoko Yamada, réalisatrice star de kyoani qui a décollé avec
k-on qui a aussi fait Tamako market/love story, A Silent Voice ainsi que le film Liz to Aoi Tori sortis récemment. et a pas mal influencé Hibike Euphonium (et stroyboard sur différents épisodes des animés de kyoani)
Et Reiko Yoshida au script/series composition qui a travaillé sur tout les animé de Naoko Yamada, Aria, Non no biyori, bakuman, des épisodes de shirobako, doremi et des tas d'autres.
interviews d'elles https://ultimatemegax.wordpress.com/2016/01/07/k-on-staff-interviews-pt-1-director-naoko-yamada-series-composer-reiko-yoshida-dialogue/ - https://ultimatemegax.wordpress.com/2015/11/01/k-on-s2-staff-interviews-pt-1-director-naoko-yamada-series-composer-reiko-yoshida-dialogue/
interview avec le producteur de l'animé https://ultimatemegax.wordpress.com/2016/01/08/k-on-staff-interviews-pt2-producer-yoshihisa-nakayama/
After deciding to make it into an anime, what kind of objectives did you have for K-On!?
Personally, I wanted more than just anime fans to see it; I wanted children as well as real high school girls now to want to watch it.
– There’s a lot of women on the main staff. Were you aware of that?
I can’t say it was by chance. I was probably a little aware of it. It would be difficult to depict the realities of high school girl life, so I tried to insert women as much as possible since they had experienced that timeframe.
On peut dire qu'il a réussi son coup vu que k-on a une bonne audience féminine et de non otaku au japon